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Lifehouse (rock opera)
''Lifehouse'' was a science fiction rock opera by the Who intended as a follow-up to ''Tommy''. It was abandoned as a rock opera in favour of creating the traditional rock album, ''Who's Next'', though its songs would appear on various albums and singles by the Who, as well as Pete Townshend solo albums.〔(【引用サイトリンク】 Top 10 Albums You've Never Heard )〕 In 1978, aspects of the Lifehouse project were revisited by the Who on ''Who Are You''. In 2000, Townshend revived the Lifehouse concept with his set ''The Lifehouse Chronicles''〔 and the sampler ''Lifehouse Elements''. On 1 May 2007, Townshend released online software called ''The Lifehouse Method'' in which any "sitter" could create a musical "portrait".〔(petetownshend.net )〕 The site is now defunct.
==Original concept==
''Lifehouses story was inspired by Pete Townshend's experiences on the ''Tommy'' tour: "I’ve seen moments in Who gigs where the vibrations were becoming so pure that I thought the whole world was just going to stop, the whole thing was just becoming so unified."
He believed that the vibrations could become so pure that the audience would "dance themselves into oblivion". Their souls would leave their bodies and they would be in a type of heaven; a permanent state of ecstasy. The only reason this did not happen at Who gigs was because there was a knowledge in the listener's mind that the show would end and everyone would wake up and go to work the next morning. These ideas were directly linked to the writing of philosopher Inayat Khan, a Sufi musician who had written about the connection of vibration and sound with the human spirit. Another source of inspiration for Townshend was Meher Baba, who claimed to be an Avatar of Brahman.
What Townshend was aiming to achieve in ''Lifehouse'' was to write music that could be adapted to reflect the personalities of the audience.〔 To do this he wanted to adapt his newly acquired hardware, VCS3 and ARP synthesisers and a quadraphonic PA, to create a machine capable of generating and combining personal music themes written from computerised biographical data. Ultimately, these thematic components would merge to form a "universal chord". To help this process, The Who would encourage individuals to emerge from the audience and find a role in the music.〔''Who's Next'' 1995 Reissue Liner Notes〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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